Moog Sound Studio: DFAM + Subharmonicon – DS Combo (50 Patches)

Description

Welcome to the soundset for a semi-modular system, Moog Sound Studio: DFAM + Subharmonicon.
It is a collection of 50 patches that include basses, drums/percussion, leads, plucks, stabs/chords, generative-style patterns. There is a wide range of sound colors inside the pack: massive and gentle, aggressive and soft, bright and dull, harmonic and dissonant tones, straight and polymetric rhythms.

Highlights:

✅ high level of interconnection of the synths
✅ thoroughly set parameters
✅ detailed notes for patches full of tips and tricks
✅ audio examples in 3 versions: DFAM only, Subharmonicon only, both together
✅ to recreate these patches you need up to 12 patch cords
✅ one of my hardest work ever, I spent up to 2 hours for each patch
✅ FREE BONUS: 150 samples with Scale and BPM (75-126 BPM), Wav 24/44100

The main point of the soundset is the high level of interconnection, not just syncing the two synths with independent timbres (individual patches for DFAM and Subharmonicon are also available on my website). In this patchbook the timbres of the synths are soldered and can’t exist separately:
🔸 they modulate each other with Envelopes
🔸 a sequence from one synth may change parameters on the other one
🔸 triggers interaction, clock/rhythm, run/stop modulations break predictable patterns
🔸 audio signals from VCOs may be used as modulation sources to create harmonies/intervals or 🔸 crazy experimental inharmonic tones

At the same time, they play different and clear roles, it’s not a sound mess, but two synths working in close cooperation.

💽 Also, there’s a separate folder with WAV samples with the same timbres, with Scale and BPM information. You may use them inside a sampler or DAW if you want 100% same sound as in the examples. Slice them for one-shots or loops, this is a great material for further editing and processing.

The soundset is presented in the form of PDF-Document. Each page contains notes that explain how the patch works, what parameters worth tweaking during the playback, how to develop the timbre during a performance. If you make all the settings consciously and try the things mentioned in the notes, you will learn lots of things about the synth and discover its true depth.

Each patch has audio examples, they help to understand how a patch is supposed to sound. Audio examples for a patch are presented in three variants: DFAM only, Subharmonicon only, and both together.

For any comments or questions, contact me: anru.anton@gmail.comWelcome to the soundset for a semi-modular system, Moog Sound Studio: DFAM + Subharmonicon. 
It is a collection of 50 patches that include basses, drums/percussion, leads, plucks, stabs/chords, generative-style patterns. There is a wide range of sound colors inside the pack: massive and gentle, aggressive and soft, bright and dull, harmonic and dissonant tones, straight and polymetric rhythms.

Highlights:

✅ high level of interconnection of the synths
✅ thoroughly set parameters
✅ detailed notes for patches full of tips and tricks
✅ audio examples in 3 versions: DFAM only, Subharmonicon only, both together
✅ to recreate these patches you need up to 12 patch cords
✅ one of my hardest work ever, I spent up to 2 hours for each patch
✅ FREE BONUS: 150 samples with Scale and BPM (75-126 BPM), Wav 24/44100

The main point of the soundset is the high level of interconnection, not just syncing the two synths with independent timbres (individual patches for DFAM and Subharmonicon are also available on my website). In this patchbook the timbres of the synths are soldered and can’t exist separately: 
🔸 they modulate each other with Envelopes
🔸 a sequence from one synth may change parameters on the other one
🔸 triggers interaction, clock/rhythm, run/stop modulations break predictable patterns 
🔸 audio signals from VCOs may be used as modulation sources to create harmonies/intervals or 🔸 crazy experimental inharmonic tones 

At the same time, they play different and clear roles, it’s not a sound mess, but two synths working in close cooperation.

💽 Also, there’s a separate folder with WAV samples with the same timbres, with Scale and BPM information. You may use them inside a sampler or DAW if you want 100% same sound as in the examples. Slice them for one-shots or loops, this is a great material for further editing and processing. 

The soundset is presented in the form of PDF-Document. Each page contains notes that explain how the patch works, what parameters worth tweaking during the playback, how to develop the timbre during a performance. If you make all the settings consciously and try the things mentioned in the notes, you will learn lots of things about the synth and discover its true depth.

Each patch has audio examples, they help to understand how a patch is supposed to sound. Audio examples for a patch are presented in three variants: DFAM only, Subharmonicon only, and both together. 

For any comments or questions, contact me: anru.anton@gmail.com

About Anru, the author of this soundset

Anton Anru is a producer, sound designer, mix engineer, and music production trainer. Get more information and a list of all sound designer soundbanks below.

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